Luc Döbereiner deals with the material nature of sound in this ‘hyper instrument’ of piano, thundersheet and live-electronics (see Luc’s description). The instruments are struck, scrapped, and rubbed with all manner of implements, and feedback played by the performers through hand-held microphones, contact microphones, and transducer speakers.
Performed with Philip Thomas (piano) as part of Electric Spring in Phipps Hall at The University of Huddersfield, UK.