Bio

Coming from Ottawa (CA), Colin Frank experiments with sound, electronics, theatre, installation art, and percussion; investigating excess, bodily extremes, barely controllable instruments, and rich raw noises. His current PhD research at the University of Huddersfield (UK) considers unconventional instruments and objects as active agents in the creative process. His duo Brutalust explores intermedia performance to engage audiences in novel ways, and his group the Drift Ensemble mixes experimental improvisation with contemporary composition. Active on international stages, he has most notably performed in the Huddersfield Contemporary Music Festival (UK), Berlin’s CTM festival (DE), the Darmstadt Internationale Ferienkurse für Neue Musik (DE), Electric Springs (UK), Beast Feast (UK), SoundThought (UK), PAS Quebec Days (CA), and the Oorsprong curators series (NL). His instrumental compositions have been presented by the Moscow Contemporary Music Ensemble (RU), TAK Ensemble (US), AndPlay duo (US), Red Note Ensemble (UK), and many solo collaborators. Recently, in the Mixed Currents project, violin performance, virtuosity, and beauty were explored in a collaborative environment. In his installation works, audiences are encouraged to interact with common objects, and his concern about plastic waste has prompted critical commentary on consumptive habits.

Photo: Kristian Fourier

Colin received a double-degree B.Mus in composition and performance from McGill University. He studied sound at the Institute of Sonology (NL), composition at the Internationale Ferienkurse für Neue Musik and SoundSCAPE (IT), and performance at Nief-Norf Summer Festival (US) and SICPP (US). He has taught improvisation at the Waterloo Region Contemporary Music Festival (CA) and at Huddersfield University.